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How Israel overcame politics in winning the Eurovision song contest

Netta Barzilai’s “excellent” song could not win Eurovision “because Europe is imbued with bicolored anti-Semitism: The classic Christian anti-Semitism of Holocaust’s perpetrators and Muslim anti-Semitism that’s striking root” there, he wrote, vowing to eat his own “hat” if he’s proven wrong. Kishon, a political hawk and the son of the late humorist Ephraim Kishon, failed to predict the future: Barzilai’s unconventional song “Toy” in fact did win the contest, earning the fourth-highest score in the pan-European song competition’s 63-year history. But his prediction nonetheless illustrated how many Israelis apparently overestimate the politicization of Eurovision, the prevalence of anti-Israel sentiment in European societies — or both. At this year’s contest, Israel would have come in third Saturday if it were up solely to the official juries of the 43 countries that participated. For example, Israel was the top vote-getter from juries both in France — which many consider emblematic of Europe’s anti-Semitism problem — and the Czech Republic, which is a historic and contemporary bastion of support for Israel and Jews in Europe. Even though Israel won this year’s contest, the organizers were still accused of politicizing the event after its Portuguese hosts did not mention Jerusalem when asking the Israeli jury to announce their score. Greece and Cyprus are notorious for this, with each country giving the other top scores most years. In Israel, too, some saw a political message in the victory by Barzilai. But to some Eurovision veterans, Barzilai’s victory had little to do with her message and everything to do with the gimmickry and showmanship of a woman clucking like a chicken. “It’s a rarity show and that’s a shame in a song festival.”